@tellembeatzgo

Ghanaian Producer Thomas Agyenim Boateng, Known as “Tellembeatzgo,” Marks Over a Decade in Music and Introduces New Sound “KARVO” ABIRA, ASHANTI REGION, GHANA — Ghanaian music producer, beatmaker, and sound engineer Thomas Agyenim Boateng, professionally known as Tellembeatzgo, is celebrating more than a decade of involvement in music production while introducing a self-developed musical style known as KARVO. Also associated with the moniker Candyboy Tellem and the independent imprint CBT Records, Tellembeatzgo began his music-production journey in 2013. Over the years, he has developed his skills in digital music production, sound design, beat arrangement, mixing, and instrumental composition. Based in Abira in Ghana’s Ashanti Region, Tellembeatzgo has explored a range of contemporary African and urban music styles, including Afrobeats, Amapiano, Ghanaian Drill, Trap, Dancehall, and Hiplife. His work reflects an ongoing interest in rhythm, percussion, bass-driven production, melodic arrangement, and the fusion of different African and global sounds. A Growing Catalog of Productions and Remakes Throughout his production journey, Tellembeatzgo has released original instrumentals, collaborated with independent artists, and produced instrumental interpretations and remakes inspired by songs from established Ghanaian artists. His catalog includes instrumental remakes associated with songs such as Okese1’s “Don’t Come Close,” King Paluta’s “Makoma,” and Medikal’s “La Hustle.” He has also worked on collaborative projects with independent recording artists, including “Vannessa” with Stal I, alongside other productions released under his producer identity. Beyond individual releases, his growing catalog represents more than a decade of experimentation and development behind the boards. Introducing KARVO One of the latest developments in Tellembeatzgo’s creative journey is the development of KARVO, a musical style he describes as his own evolving contribution to contemporary Ghanaian music. KARVO represents an attempt to develop a distinctive production identity by combining rhythmic, melodic, bass, percussion, and contemporary African musical elements into a recognizable sound framework. Rather than presenting KARVO simply as another beat title or production tag, Tellembeatzgo is working toward establishing it as a defined musical style with identifiable characteristics, terminology, and production principles. His first publicly presented KARVO instrumental is titled “Level Up.” The instrumental serves as an early representation of the sound and direction he is developing under the KARVO name. “Level Up” is being made available through platforms including YouTube, Hipstrumental, BeatMantra, and Audiomack, with opportunities for artists and creators to discover and license Tellembeatzgo’s productions. Building an Independent Production Brand Through CBT Records, Tellembeatzgo continues to operate independently, developing and distributing original instrumentals while providing licensing options for artists interested in using his productions. His long-term objective is not only to build a catalog of beats but also to establish a recognizable producer identity and contribute new ideas to Ghana’s constantly evolving music-production landscape. With more than a decade of experience behind him and KARVO now entering its early development stage, Tellembeatzgo’s current chapter represents a combination of experience, experimentation, and musical innovation. Quick Facts * Full Name: Thomas Agyenim Boateng * Professional Name: Tellembeatzgo * Other Moniker: Candyboy Tellem * Independent Imprint: CBT Records * Origin: Abira, Ashanti Region, Ghana * Production Journey Began: 2013 * Primary Field: Music Production, Beatmaking & Sound Engineering * Genres Explored: Afrobeats, Amapiano, Drill, Trap, Dancehall, Hiplife and other contemporary styles * New Musical Style: KARVO * First KARVO Instrumental: Level Up * Platforms: YouTube, BeatMantra, Hipstrumental, Audiomack KARVO is currently an emerging, self-developed musical concept by Tellembeatzgo, with further documentation and development expected as the sound evolves.